Little Nicky is a classic early-2000s comedy with little focus on identity politics. The film relies on absurd humor and slapstick, not social commentary. Characters are cast for comedic fit, not to check diversity boxes. The story never sacrifices plot or tension for modern ideological nods, making this movie refreshingly non-woke by today’s Hollywood standards.

The film pokes fun at religious themes, but it’s not aiming to rewrite or pathologize religious or family values. Its tone is playful and irreverent, ridiculing everyone equally rather than targeting traditional culture. Masculinity isn’t mocked; if anything, it’s portrayed through a lens of tongue-in-cheek silliness rather than agenda-driven critique.

There’s no sign of a forced ideological consensus. Diverse viewpoints are largely absent, but that’s more due to the film’s focus on slapstick than any agenda. The few alternative or traditional perspectives appear as over-the-top caricatures consistent with the movie’s overall style, not singled out for ridicule or demonization.