Man on Wire (2008) | How Woke Is It?

Our VerdictNot Woke

Man on Wire2008

In a free society the right to critique art is essential and protected speech. These reviews reflect personal opinions and not statements of fact.

What We Think

‘Man on Wire’ is about as non-woke as modern documentaries can get. It’s focused on artistry, risk, and achievement, with none of the modern ideological grandstanding or forced representation. A refreshing change of pace from today’s cinematic trends.

Score Breakdown

Compromised:Narrative Integrity

Not Woke

What is this?

'Man on Wire' centers on Philippe Petit's high-wire act between the Twin Towers, focusing on his ambition, skill, and the human drama of the feat. There’s no sign of forced representation or identity-driven casting; the story unfolds without emphasizing ideological themes over narrative or character.

Compromised:Cultural Foundations

Not Woke

What is this?

The film celebrates individual daring, personal determination, and artistry without undermining family, religion, or traditional values. It’s a straightforward recounting of a historical event with no cultural revisionism or overt messaging about masculinity, gender roles, or morality.

Compromised:Ideological Monoculture

Not Woke

What is this?

No ideological monoculture here. The documentary avoids injecting modern social debates, instead functioning as an apolitical human interest story. Alternative viewpoints aren't villainized; they're not even present because the focus remains on the extraordinary stunt and those involved.

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Disclaimer: In a free society the right to critique art is essential and protected as a form of free speech and freedom of expression. The reviews and commentary on this site represent personal opinions and interpretations. They are not statements of fact and should not be taken as factual claims about any individual, company, or creative work.