Season of the Witch centers on supernatural adventure rather than identity politics. Casting and character development focus on story fit, not tokenism. There aren’t glaring signs of forced representation or characters who are flawless simply due to diverse status. The film’s issues are more with pacing and historical accuracy than 'woke' concessions.

The film, set in medieval Europe, leans into traditional themes, religion, male camaraderie, and the supernatural. It doesn’t undermine masculinity or traditional values. Instead, it presents a classic clash of good versus evil without rewriting moral or gender roles for modern sensibilities.

There is no heavy-handed message or obvious attempt at ideological uniformity. Characters represent varied beliefs (e.g., skepticism vs. faith). Traditional perspectives get sincere representation, not just ridicule, and the film avoids cartoonish villainization of differing viewpoints.