Swiss Army Man is primarily a surreal survival story with deeply personal and existential themes. The central relationship focuses on individual loneliness and human connection, rather than identity politics or forced representation. Characters are quirky, but not defined by modern ideological trends, and the plot is driven more by creative absurdity than messaging.

The film doesn’t really attack traditional culture, faith, family, or masculinity. While it does poke fun at certain social norms, it’s more about individual pathology and awkwardness than pushing a cultural agenda. The story is so offbeat and detached from mainstream culture it’s hard to accuse it of any cultural subversion.

There’s hardly any sign of ideological monoculture. The film barely touches on hot-button issues and isn’t concerned with villainizing alternative viewpoints. The focus is firmly on oddball, personal struggles rather than commentary on societal categories or values.