While 'The Shape of Things' addresses gender, manipulation, and modern relationships, character choices feel rooted in story and psychology, not in forced identity politics. The plot revolves around character flaws and moral ambiguity, rather than ticking representation boxes. This isn't evident 'checking off' of the usual modern themes, it's more of a dark investigation of agency and ethics.

The film does challenge some traditional gender dynamics and notions of masculinity, often putting the male lead in a vulnerable spot while elevating the manipulative female character. However, these dynamics serve as thematic explorations rather than outright mockery of traditional values. There's little commentary on religion or overt undermining of family.

The film engages with contemporary moral ambiguity but does not present a one-sided worldview. While one could argue traditionalism takes a hit, the story is more interested in psychological gamesmanship than preaching an ideology. Both manipulation and vulnerability are critiqued, and no character is purely vindicated.