The film puts identity and contemporary issues at the forefront, with characters whose traits, gender, sexuality, etc., seem foregrounded over traditional arcs. It leans into progressive caricatures as humor, sometimes at the expense of nuanced growth or dramatic tension. The thematic elements can feel superimposed, giving it a noticeably modern, agenda-driven vibe.

Theater Camp playfully pokes fun at masculinity and traditional values, mostly through satire, but seldom offers a sincere nod to family, faith, or classic moral frameworks. The typical reverence for tradition is often replaced by a celebration of reinvention, nudging its tone firmly toward undermining old-fashioned cultural norms.

There’s a distinct uniformity in worldview, most characters embody the same progressive outlook on identity and culture. Traditional perspectives are used as comedic foils or relics of the past, with little meaningful pushback or debate, giving the sense that alternative viewpoints are there mostly to be mocked.