In our view, "Unpregnant" strongly prioritizes ideological messaging over nuanced character development. The plot centers around a road trip for an abortion, with identity-focused dialogue and character relationships driving the story, often at the expense of organic character arcs or traditional dramatic tension. Several characters seem present more for symbolic representation than genuine personality or narrative function.

The film repeatedly positions traditional values, family, and religion as sources of oppression or misunderstanding. Masculinity and traditional relationships, particularly with the protagonist’s boyfriend and parents, are depicted in a negative light, while female characters are valorized for challenging these structures.

"Unpregnant" rarely offers any sincere or nuanced depiction of non-progressive viewpoints. Alternative perspectives on its core subject are mostly presented as extreme, uninformed, or antagonistic, so genuine debate or ideological diversity is virtually absent.