The film weaves in a diverse cast with characters whose traits, especially around sexuality, are foregrounded. However, most of the emphasis stays on art world satire and supernatural horror, not identity. Representation decisions seem present but aren't so egregious that the story loses all narrative logic. There are some moments where identity is highlighted over depth of character, but it's not extreme.

Classic institutions like critic culture, high art, and the superficiality of the elite are mocked, but ‘Velvet Buzzsaw’ doesn’t openly attack religious or family values. Traditional masculinity is occasionally lampooned, and there are clear nods to anti-commercial art sentiment. Overall, the film tilts modern but doesn’t outright undermine foundational cultural themes.

Alternative perspectives, especially anyone with traditional or non-elite art tastes, get dismissed or lampooned. The film feels like it's steeped in a single viewpoint, with little genuine debate or acknowledgment of different worldviews. While not all characters are overt woke mouthpieces, dissent isn't sincerely explored.