Roswell, New Mexico (2019) | How Woke Is It?

Our VerdictHyper Woke

92%

Roswell, New Mexico2019

In a free society the right to critique art is essential and protected speech. These reviews reflect personal opinions and not statements of fact.

What We Think

Roswell, New Mexico cranks the woke dial close to max, prioritizing ideology, modern identity themes, and progressive rewriting of culture, all at the expense of traditional storytelling and genuine diversity of viewpoint. Expect heavy-handed messaging and plenty of virtue signaling.

Score Breakdown

Compromised:Narrative Integrity

Hyper Woke

What is this?

Roswell, New Mexico visibly leans into representing identity markers, race, sexuality, gender, front-and-center, sometimes at the expense of traditional story arcs or organic character development. Plots often hinge on such factors, and characters can feel more like spokespeople for causes than complex individuals. This takes a toll on narrative integrity.

Compromised:Cultural Foundations

Hyper Woke

What is this?

The show frequently critiques traditional family structures, law enforcement, and religion, favoring modern, progressive attitudes. Masculine characters are often sidelined or depicted as problematic, while themes of gender and sexuality are used to drive much of the show's moral direction. Classic American cultural touchstones get a significant rewrite here.

Compromised:Ideological Monoculture

Hyper Woke

What is this?

There is little meaningful representation of alternative or traditional perspectives. Characters who express dissenting views are typically portrayed as either ignorant or malicious, missing out on serious nuance or internal conflict. The show's worldview remains firmly within a contemporary progressive consensus, barring real pluralism.

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Disclaimer: In a free society the right to critique art is essential and protected as a form of free speech and freedom of expression. The reviews and commentary on this site represent personal opinions and interpretations. They are not statements of fact and should not be taken as factual claims about any individual, company, or creative work.