The Super Models (2023) | How Woke Is It?

Our VerdictWoke

70%

The Super Models2023

In a free society the right to critique art is essential and protected speech. These reviews reflect personal opinions and not statements of fact.

What We Think

"The Super Models" is a glossy, nostalgic docuseries that checks several contemporary boxes, prioritizing diversity and modern values. While it's not as extreme as some recent offerings, the focus on current ideological themes is unmistakable. Its narrative avoids classic villainization, but alternative perspectives are largely sidelined, making it a moderately woke watch.

Score Breakdown

Compromised:Narrative Integrity

Woke

What is this?

The series centers on four iconic supermodels and sometimes leans into identity narratives, particularly around gender and race, without always connecting them to modeling skill or industry impact. Some storylines could be seen as highlighting diversity boxes over individual achievement, but there is also a strong focus on personal grit and the business of modeling.

Compromised:Cultural Foundations

Woke

What is this?

Themes about breaking traditional norms (particularly regarding gender roles, female empowerment, and beauty standards) are prominent. While it celebrates individualism, it occasionally frames older cultural attitudes or expectations as problematic. Still, it broadly avoids overt attacks on family or religion, focusing mainly on personal and professional journeys.

Compromised:Ideological Monoculture

Woke

What is this?

The show predominantly spotlights a modern, progressive worldview, especially in how it discusses industry changes and women’s roles. Alternative or traditional viewpoints are rarely given the same weight, and criticism of new norms is mostly absent, leading to a sense of ideological uniformity.

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Disclaimer: In a free society the right to critique art is essential and protected as a form of free speech and freedom of expression. The reviews and commentary on this site represent personal opinions and interpretations. They are not statements of fact and should not be taken as factual claims about any individual, company, or creative work.