"Lisa Frankenstein" focuses mainly on quirky romance and horror comedy rather than using characters solely as identity checklists. While some identity-centric humor is present, the leads are mostly defined by their personalities and narrative roles, not just modern ideological boxes. The story itself is irreverent but doesn't seem overly sacrificed to shoehorn in representation for its own sake.

The film plays with tropes of family dysfunction and subverts the classic 'Frankenstein' myth with a quirky, irreverent lens. While it doesn't aggressively attack traditional values, it does lean into mocking suburban norms, family structures, and treats eccentricity as a virtue over stability. It's playful more than preachy, but tradition definitely gets the short end of the stick.

Alternative viewpoints aren't really explored, most adult authority figures are portrayed as clueless or conservative caricatures. While it's not an ideological monologue, it does lean into 'weird outsider is the real hero' flavor, common in recent films. Stereotypical villains are largely those conformed to social norms, though not excessively so.